Selected work
Built for the moment.
Ready for the unexpected.
Across stages, institutions, festivals, kitchens, and community spaces, the assignment stays the same: understand the room, anticipate the pressure points, and move the work forward.
14+years across events, hospitality & arts
25Kguests at large-scale festival operations
$500K+budgets managed across event programs
100+artists, musicians & staff coordinated
Production leadership
The 7 Pianists · Carnegie Hall
Production leadership and primary day-of coordination spanning artist movement, rehearsals, venue transfers, hospitality, high-stakes transportation, and company-management logistics.
Stage & company management
The Swann · Mabou Mines / National Sawdust
Pre-production, artist and creative-team communication, venue coordination, rehearsal and performance reporting, recording, and workshop presentation support.
Festival operations
Montclair Jazz Festival · Jazz House Kids
Led food and beverage, artist hospitality, vendor management, permits, deliveries, staffing, and unified operations for festivals serving 10,000 and 25,000 attendees.
Institutional operations & not-for-profit arts management
JPJB Family Foundation & cultural organizations
Provides executive-level arts management and development consultation, advances programs from conception through execution, and develops funding pathways for new initiatives and future endowments. The work draws on experience across opera, education, youth programs, and cultural institutions.
About Alyssa
An artist’s eye.
A chef’s resourcefulness.
An operator’s discipline.
I’m a Belizean-American creative and operations leader—New York City born and raised, Caribbean rooted, and shaped by a life in the arts.
Both of my parents were born and raised in Belize, and that heritage is central to how I work. I carry forward the resourcefulness, improvisation, warmth, and communal care that I think of as Caribbean ingenuity: make something meaningful with what you have, welcome people fully, and never lose the story behind the work.
I trained as an opera singer and studied arts management before building a career across stage and production management, event operations, hospitality, higher education, and cultural programming. The path may look wide, but the through line is simple: understand the vision, care for the people, and build what the moment requires.
Training & Education
BM, Voice & Opera · BS, Arts Management — SUNY Purchase
Advanced Management Certificate — CUNY SPS
Technical Meeting Planner — Event Leadership Institute
Chi for Two Coach Certification — ISMETA Certified
Culture in practice
Arts administration with a point of view
I use my experience inside opera, performance, and nonprofit institutions to advise cultural organizations on operations, audience experience, artist care, programming, and new pathways to community. I support new works from conception through execution and help legacy institutions remain rigorous while becoming more welcoming, representative, and connected to the people around them.
Service & education
Board member · JPJB Family Foundation
My work with JPJB Family Foundation connects Belizean culture to youth education, technology access, mental wellness, career readiness, and hands-on culinary learning. As a board member and cooking instructor, I help turn cultural knowledge into practical programs that can travel across diasporas, borders, and generations.
Storytelling
Content that puts history back on the plate
As a culinary and cultural content creator, I explore Belizean and Caribbean foodways, diaspora stories, and the histories hiding inside familiar dishes. My goal is to make cultural education vivid, useful, and irresistible—and to grow that work through partnerships, editorial projects, teaching, and media.
OMG! Are you kidding…
Yes, I’m a triplet.
Sharing space, negotiating personalities, reading the room, and finding an individual voice started early. In hindsight, it may have been my first training in ensemble work, diplomacy, and live operations.